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manuais Pure Acoustics SBAR-51

Manuais de instruções e guias do utilizador para Estações de ancoragem para dispositivos móveis Pure Acoustics SBAR-51.
Disponibilizamos 2 manuais Pure Acoustics SBAR-51 em pdf para descarga gratuita: Guia do Utilizador, Manual do Utilizador


Pure acoustics SBAR-51 Guia do Utilizador (12 páginas)


Marca: Pure-acoustics | Categoria: Estações de ancoragem para dispositivos móveis | Tamanho: 3.11 MB |

 

Índice

User`s Guide

1

Contents

2

Important Safety Instructions

3

Overview

4

Back View

6

Remote Control

7

1 Connect the FM Antenna

8

3 Connect Power

9

12:00

10

FM 107.3

11

P01 107.3

11

3D ON

12

BASS 00

12

DIMMER2

12

IPOD

12

Pure acoustics SBAR-51 Manual do Utilizador (149 páginas)


Marca: Pure-acoustics | Categoria: Estações de ancoragem para dispositivos móveis | Tamanho: 9.36 MB |

 

Índice

Scope of this User Manual

11

2.1 Before You Begin

12

2.1.4 Recording Requirements

13

2.2.1 Input Set Up

13

2.2.3 Recording

18

Each Song

21

Step 1. Create a New Project

26

Step 2. Open a File

26

The DeNoise Window

30

3.2 Project Layout

32

A Project’s Toolbar

33

3.3.1 Opening Projects

34

3.4 Waveforms

35

3.5 Auditioning Sound

37

3.5.3 Playback from Playhead

38

3.5.4 Random Play

38

3.5.5 Time Displays

38

3.6.1 Scrolling

38

3.7 Selections

39

3.7.2 Selecting Segments

40

3.8 Simple Editing

41

3.8.4 Manipulating Fades

44

3.9.2 Moving Track Marks

45

3.9.3 Removing Track Marks

45

3.9.5 Tracks

46

4.1 Fade Tool Options

48

The Fade Tool contextual menu

49

4.1.4 Changing the Fade Type

50

4.2 Drag & Drop

51

4.2.1.3 Snap to Zone

52

4.2.2 Drag–Overlay

53

4.2.3 Drag–Replace

53

4.3 Text Mode

54

The Segment Gain dialog

55

4.4 Gain Overlay Mode

56

4.5 Project Sample Rate

58

5.1 Four Steps to Recording

60

5.2 Audio Recordings

61

Input selectors

62

Clock source selection

62

Sample rate selection

62

5.2.4 Initiating a recording

65

5.2.5 Manual punch in

66

5.2.6 Edit Recording

66

6.1 Meters Window

68

7.1 The Amarra Vinyl Menu

70

7.1.4 Hide Amarra Vinyl

71

7.1.5 Hide Others

71

7.1.6 Show All

71

7.1.7 Quit Amarra Vinyl

71

7.2 The File Menu

72

7.2.10 Activation…

74

7.2.11 Audio MIDI Setup…

74

7.2.13 Extras

74

7.2.15 Build Waveform

75

7.2.17 Visit Support Portal

75

7.3 The Edit Menu

76

7.3.13 Delete Crossfade

79

7.3.14 Move Segments…

79

7.3.15 Segment Gain…

79

7.3.16 Reverse Polarity

79

7.3.18 Edit Segment Name

80

7.4 The EDL Menu

81

7.4.4 Create Gain Nodes

82

7.4.5 Select Gain Nodes

82

7.4.6 Refresh

82

7.5 The Play Menu

83

7.5.13 Play from Selection

85

7.5.15 Move Playhead

86

7.6 The Mark Menu

87

7.6.6 Lock All Marks

88

7.6.7 Unlock All Marks

88

7.6.8 Analog Black to Marks

88

7.6.9 Edited Black to Marks

89

7.7 The Selection Menu

90

7.7.12 Select Segment to End

92

7.8 The View Menu

93

7.8.7 Zoom around Playhead

95

7.8.10 Zoom to Selection

95

7.9 The Windows Menu

96

7.9.4 Export Tracks

98

Page 100

100

7.9.5.2 Editing Auto Tools

101

7.9.5.3 Edit with Audio

101

7.9.5.5 Import Fade

102

7.9.5.7 View

103

7.9.5.8 Display Auto Tools

104

7.9.5.9 Playing Auto Tools

104

7.9.6 The Help Menu

105

8.2.3.2 The DeClicker

107

8.2.3.3 The DeCrackler

108

8.2.3.5 Restoring Clicks

109

Page 110

110

9.1 Overview

111

9.2 The Noise Estimate

112

9.3 User Interface Overview

114

10.1 Sonic EQ Pre–processor

116

10.1.2.2 Track Menu

117

10.1.2.3 Sections

117

10.1.2.4 Group Menu

118

10.1.2.5 Bypass

118

10.1.2.6 Parameters

118

1st order parametric with ƒ

119

of 1000 Hz

119

2nd order parametric with ƒ

119

Page 120

120

High shelf with ƒ

121

High pass with ƒ

121

Page 123

123

3rd order bandpass with ƒ

124

Notch filter with ƒ

124

: RIAA de–emphasis

125

A1.1 Introduction

127

A1.3 Naming Conventions

128

Permissions

129

Windows Shortcuts

131

File & Project Shortcuts

131

Playback Shortcuts

131

Editing Shortcuts

131

Viewing Shortcuts

132

Track Prep

133

Control–Click

134

With Gain Overlay on —

135

In the Track Bar —

135

In the waveform display —

135

On a Track mark —

135

Page 136

136

Page 137

137

Page 138

138

Page 139

139

Page 140

140

Page 141

141

Page 142

142

Page 143

143

Page 144

144

Page 145

145

Page 146

146

Page 147

147

Page 148

148

Page 149

149




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